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Selectors 2001

2001

Selectors for the 2001 New Contemporaries Open Call

Chris Ofili

Christopher Ofili, CBE (b. 1968) is a British Turner Prize-winning painter who is best known for his paintings incorporating elephant dung. He was one of the Young British Artists.

Ofili was established through exhibitions by Charles Saatchi at his gallery in north London and the travelling exhibition Sensation (1997), becoming recognised as one of the few British artists of African / Caribbean descent to break through as a member of the Young British Artists group. Ofili has also had numerous solo shows since the early 1990s, including at the Serpentine Gallery. In 1998, Ofili won the Turner Prize, and in 2003 he was selected to represent Britain at the Venice Biennale of that year.

Photo: Kibwe Braithwaite

Image of Chris Ofili

Jennifer Higgie

Jennifer Higgie is an Australian novelist, screenwriter, art critic and editor of the London-based contemporary arts magazine, Frieze.

Higgie has written features in Frieze on artists including Helen Johnson, Lynette Yiadom-Boakye, Pierre Huyghe Michael Borremans, Dirk Bell, Carol Rama, Lisa Yuskavage, and about the idea of slowness in art. Her publications include essays for Maria Lassnig at the Serpentine Gallery, Ricky Swallow's catalogue for the Australian Pavilion at the Venice Biennale 2005 entitled "The Past Sure is Tense; the Past Sure is Now"; Magnus Von Plessen's exhibition at Barbara Gladstone Gallery in New York and David Noonan's show Films and Paintings 2001-2005 at the Monash University Museum of Art in Melbourne.

Image of Jennifer Higgie

Mike Nelson

Mike Nelson RA (b. 1967) is a contemporary British installation artist. He represented Britain at the Venice Biennale in 2011. Nelson has twice been nominated for the Turner Prize: first in 2001 (that year the prize was won by Martin Creed), and again in 2007 (when the winner was Mark Wallinger).

Nelson's installations always only exist for the time period of the exhibition which they were made for. They are extended labyrinths, which the viewer is free to find their own way through, and in which the locations of the exit and entrance are often difficult to determine. His "The Deliverance and the Patience" in a former brewery on the Giudecca was in the 2001 Venice Biennale.

Image of Mike Nelson